Samuel P.
Langley and the Aerodrome
While Chanute’s group was hard at work on the
banks of Lake Michigan, America’s
other pre- Wright aviation
researcher was also closing in on the prize of being
the first to fly. Samuel
Pierpont Langley was appointed
Secretary of the Smithsonian Institution in 1887
after a distinguished career as an
astronomer and professor of physics at
the Western University of Pennsylvania (later called the
University of Pittsburgh) and director of the Allegheny
Observatory at Pittsburgh—all without any formal education
beyond high school.
Langley was a self-taught scientist
whose work displayed the highest standards of scientific
rigor yet he was capable of making elementary mistakes and
relied heavily on the work of his assistants. At the
Allegheny Observatory, Langley built a whirling arm to test
airfoils as George Cayley had done, but his machine was
driven by a steam engine that whirled an arm seventy feet
(21m) long and attained speeds the tip of seventy miles per
hour. Once at the Smithsonian, he began building models
powered by rubber bands. Realizing the limitation of this
kind of power source, he adapted steam engines to the models
and tested them carefully on many configurations, leaving
behind careful records in his Memoir.

BELOW:
Langley s Aerodrome is poised atop a houseboat,
ready for Launching,
on October 7, 1903.
RIGHT:
Langley conferred with his assistant,
Mathews Manly, days before the test, but
was not present for the launch. Assistant secretary of the
Smithsonian Cyrus Adler (right) looks
In the period between 1894
and 1896, several large model aircraft that Langley called
“Aerodromes” were launched by a catapult device from atop a
houseboat on the Potomac River near Washington, D.C. Several
test flights were observed by Alexander Graham Bell, himself
a flight enthusiast (as we will see later), and by 1896
Langley’s Aerodrome No. 6 made a stable flight of forty two
hundred feet in one minute, forty-five seconds, landing
gently on the waters of the Potomac.

Glenn
Curtiss
in a significantly
modified version of Langley’s
Aerodrome.
Curtiss flew the craft on
May 28, 1914,
in Hammondsport, New
York, in an effort to
invalidate the Wright
patent. Although it
seems that several
other machines could
have flown as much as
fifty years earlier,
the Wright Flyer was
the one that did fly.
Langley was inclined to
let the matter rest there, but two events made him press on:
America’s involvement in the Spanish-American War, and the
rise of Charles Matthews Manly, a recent graduate of
Cornell, to the position of Langley’s principal assistant.
Hoping to create a military device that would assist the
United States in the war President McKinley and the War
Department had enticed Langley to Washington with a generous
fifty- thousand-dollar grant to develop the airplane.
Manly’s contribution of a gasoline engine that weighed 187
pounds (85kg) and produced more than 50 horse-power solved
the power plant problem.
Tests on a quarter- scale model in
August 1903 were successful. Aware that they were in a race
against other experimenters (and pressed by the War
Department), Langley and Manly went directly to a full-
sized craft, abandoning Langley’s long-established practice
of careful, piecemeal experimentation. They constructed a
full-scale model, making modifications they could not test,
and adapting the catapult mechanism in ways that were, they
knew, unpredictable.
Langley was justifiably apprehensive.
Manly piloted the Aerodrome on its first test flight on
October 7, 1903; the test ended in seconds with the craft
falling into the water (“like a handful of mortar,” the
Washington Post reported the next day) and Manly having to
be fished out. Langley and Manly were not certain what had
gone wrong. They reviewed the catapult atop the houseboat
and examined the Aerodrome itself, but they could not
ascertain what had caused the crash. Ordinarily, Langley
would have investigated the matter at length, but he knew
that if he did not make a test flight soon he would have to
wait until spring, and the War Department was getting
impatient. On December 8, another test was run with the same
result; this time Manly was just barely rescued.
The reports
in the press created a public outcry, and speeches
lampooning Langley were delivered on the floor of Congress.
(A secretary position at the Smithsonian Institution was
looked upon as nearly a cabinet-level post—a kind of
Secretary of Education—so that his failure presented a
political opportunity to the opposition party.) Langley was
deeply hurt by these attacks and withdrew from active
research entirely. He died a broken man in February 1906.
Throughout his life, Langley blamed the catapult mechanism
for the failure of the Aerodrome, but later analysis
revealed that many elements of the craft were deeply flawed.
First, the stress on a machine cannot be accurately measured
by a smaller model, and simply multiplying the proportions
of the model’s dimensions does not result in a structurally
sound machine. Langley made no attempt to have a pilot learn
the feel of the aircraft in gliding experiments; Manly was
not so much a pilot as cargo unable to control the
performance of the machine. Also, the idea of bringing a
full-sized aircraft to flight speed in just seventy feet
(21m) by catapulting it into the air was unsound on the face
of it. All these flaws became apparent when, in 1914, Glenn Curtiss borrowed the original Aerodrome, modified it
significantly, and flew it over Lake Keuka in New York, all
in an effort to challenge the Wright brothers’ patents. The
modifications Curtiss made only highlighted the fact that,
as originally conceived and constructed, the Aerodrome was
not an airworthy craft.
The conflict between the Smithsonian
and the Wrights (fuelled by Curtiss) lasted for many years
and resulted in the original Wright Flyer’s being exhibited
in London rather than in the United States. Not until
Orville had passed on in 1948 (the then-Secretary of the
Smithsonian having already offered a formal apology
acknowledging the priority of the Wrights) was the Flyer
returned to the United States and exhibited in the
Smithsonian.
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